Strictly Accurate Memoir? True-Life Novel? How Close to the Line Do You Ride?

Camilla, a writer in my New York classes many years ago, completed a memoir about her family in Italy during World War II.  I remember it as a rich and interesting tale, full of great descriptions and intriguing characters.  I also remember the dilemma she faced when she began sending it out into the world.

She wrote me, "I have been struggling with pinning down the genre, as memoirs are rarely taken if the person isn't famous.  Although calling it a novel seems untruthful.  In truth it is a bit of a hybrid, with scenes and dialogue created around facts, and my part of the story is 99 percent factual. I spoke with a published author who was very lovely and suggested I call it historical fiction.  Yet is it remote enough in time, being about World War II? 

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Ten Things I've Learned by Finishing My Novel

In August, I took a month away from work, phones, and other people's writing to focus on the final edits for my novel.  It's been a long, hard, exciting road. 

Looking back, I slightly astonished by how naive I was when I began.  It's been five years in the making, and I couldn't have done it in any less time.  Enthusiasm and determination carried me through the first two years.  I hit bottom then, and I was pulled out by taking writing classes and getting together a feedback group.  They lasted a year or so.  Then I hit bottom again, almost ditched the project. 

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Your Writing Voice--How to Develop It, Recognize It, Not Copy Someone Else's

One of my long-time students asked a great question this week:  how does a writer develop voice?  

Voice is the elusive uniqueness that comes out in writing over time, the signature of the individual wordsmith.  We would never mistake a passage by Flannery O'Connor with one by Gabriel Garcia Marquez. 

What makes them different, distinctive? Each delightful in its own way?  That's voice.

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Why Strong Dialogue Matters So Much--And Three Tips to Write It

Do you write dialogue?  Did you know that many acquisitions editors at publishing companies use dialogue as the "test" for whether a manuscript gets read?

In their book, Self-Editing for Fiction Writers, Renni Browne and Dave King tell the story of interviewing different editors in the publishing industry.  What do you look at first, when reviewing a manuscript? they wondered.  More than one revealed this:  Editors scan through the pages for a section of dialogue and read it.  If it's good, they read more.  If it's not good, the manuscript is automatically rejected.

Big pressure for writers!  Why do you think dialogue is such an indicator of a writer's skill?

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The Value of a Writing Community--To Help You Finish Your Book

Summer is teaching time for me.  I just returned from a week on Madeline Island, a blissful spot, made even more so by the twenty-three writers who attended this summer's retreat.  We formed a perfect community, I thought:  supportive, funny at times and serious at others, able to work hard and celebrate each others' growth.

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Making Time for Your Writing in the Dog Days of Summer

I've always loved August in New England, where I live.   The heat and sun and sultry air just make me want to go slower, take in more of the beauty of summer's final days.  We get winter all too soon here.  New Englanders know how to make the most of summer.

When I first moved here, I thought the slower pace in summer would be perfect for writing.  But laziness settles over me.  And the allure of a thousand fun summer activities.  I'm a passionate gardener and there's always plenty to do.  Who wants to spend daylight hours indoors?

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Writing a Satisfying Ending: Hints about How to Wrap Up Your Story

This week I'm traveling to one of my favorite places:  Madeline Island and the Madeline Island School of the Arts, where I teach each summer and fall.  I'm about to welcome a group of twenty-three writers who will be attending my workshop/retreat and my independent study week.  We'll be diving deep into our book projects for five days, free of interruptions.  Looking for breakthroughs.

One of the assignments I offer the group is to draft their final chapter.  Because the group is varied in writing experience and progress with their projects, this suggestion often gets astonished reactions.  "How can I possibly write my final chapter when I don't know what the rest of the book is about!?" 

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Instant Gratification: Dangers of Seeking It When Writing a Book

When we start writing a book, we have no clue how long it will take.  Most first-time book writers think maybe a year, two at the most?  A colleague was both relieved and dismayed to learn from a graduate-school panel of published writers that memoirs typically take seven years to write.  Rebecca Skloot, author of the best-seller, The Immortal Life of Henrietta Lacks, said her book took ten years and it couldn't have gone any faster--she needed all that time. 

But we're seduced by workshops and craft books that promise a completed manuscript, ready for agents, in nine months.  I recently saw a workshop that was called "Novel in a Month."  I participate in Nanowrimo regularly (National Novel Writers Month) and have even published a novel from that marathon, but it didn't come out finished--it needed a couple of years of revision before it was ready for other eyes. 

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Why a Memoir Is Not an Autobiography

My elderly aunt finished her memoirs.  She mailed me a photocopy.  It was great fun to read--she's always been entertaining storyteller with interesting experiences and a great understanding of people.  She's 97 now and lives in an assisted living community where a fellow resident helped her write up her life stories.  She calls them her "memoirs," and indeed they are--an an act of remembering and a legacy for the family. 

Memoir comes from the Anglo-French word memoirie (from the fifteenth century),meaning "memory" or "note,"  an "account of someone's life."  A wonderful gift to pass on to those who know you and who want to hear your past.

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Finding and Hiring an Editor: Why They Help, What They Cost, and What to Look For

One of the best decisions I made for my recent books was hiring a professional editor--before I began submitting the manuscript for publication.  You might say:  Why bother?  The agent/publisher will make you change stuff anyway.  And don't publishers have editors? 

Yes, you'll have to change stuff--if you're lucky enough to get that far with an agent or publisher.  Yes, there are some publishers who still offer editorial help to their writers (small presses usually do, partner publishing does, a few big houses do if you're high on the list).  But it pays to invest in your own book in today's competitive world.  Make it the best it can be, before you try submitting it.

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