Can you easily see what needs to stay, what needs to go? Can you tell when your tendencies, the places you go "unconscious" in your own work, take over, making the writing less strong and the writer more stubborn? In the final revision, do you have the detachment to let go of what's not working, even if you love it more than your first-born child?
Editing is a craft. Trained editors are truly craftspeople in their work. When a writer is able to self-edit, that becomes an art and a craft. Art, because what emerges is often transformative to both writer and reader. Craft, because it requires practice, discipline, and appreciation for how it improves your work.
My training as an editor came in the trenches of a small press in the midwest where I worked for eighteen years, and as I freelanced for other publishers throughout the U.S. as a book doctor. I learned the craft of editing different genres--what adult literary fiction demands, compared to a children's book, compared to a mystery or self-help or memoir. At the small press, a team of four very experienced editors suffered through my early years, as I learned ways to enhance, not erase, the original voice of the writer and bring out what the manuscript could be.
This toolkit was really valuable. In my workshops, I began teaching special sections on editing. I wanted to give writers a new understanding of their own "unconscious areas" and a new appreciation for editing tools as the solution.
This Week's Writing Exercise
1. Choose a paragraph of your writing. Read it aloud to yourself and find the one sentence that really is the essence of the paragraph for you--be it action, character, information, or setting. Now rework that one sentence until you have condensed the paragraph effectively. The writing won't be better; don't try to get that. It's just going to help you see where your paragraph's main punch might be.
Self-Editing for Book Writers
Date: March 28
Time: 11:00 a.m.–5:00 p.m.
Spend two intensive days getting to know your book—what it is about, how to structure it, how to plan to finish it! You’ll learn a step-by-step plan, including flexible timelines, chapter grids, storyboarding, and other techniques. You’ll look at ways to flow chapters, find holes in your material that need filling, organize research and concepts, construct plots, and bring your book into manifestation. You’ll also learn what editors and agents look for and gain essential tips on editing and evaluating your book in all its stages. Designed for nonfiction authors who have a book concept or a work in progress, and for novelists who need a fresh look at their material. Bring an SASE to Saturday’s class and up to fifteen double-spaced pages of work, and the instructor will mail you feedback.
Day: Friday & Saturday
Date: March 26 & 27
Time: 10:00am–4:30pm (both days)