This month, my novel-in-progress reached a new level: final revision.
Woo-hoo,
this is cause for celebration. When a book hits final revision, it has
moved beyond an ongoing one-way conversation in the writer's head. By
now, the book is talking back--big time.
Only a few steps remain
before it's ready to send off to agent/editor/publisher. And these
final steps are key: If they go well, the "whole" becomes much bigger
than the sum of its islands, or parts.
Most writers feel a sense
of urgency at final revision. As the book comes into its own, you can
see the good objectively. You've been asking yourself, Is it publishable? for a while. Now you can answer with a hopeful YES!
And this urgency is the danger zone in final revision. We are understandably impatient: It's been a long haul. Get it done, already!
Shortcuts
look tempting. Skip a few steps, get it out the door into other
hands. Contact that agent, editor, publisher--now! Capture their
attention--before your courage flies away or the publishing window
closes.
As a professional editor for over twenty years, my job
was to put the brakes on--calm the over-eager writer, and remind them
what's at stake. What do you stand to lose, if you rush through these
final steps?
Well, for one, most agents and editors only give a
new writer one look. Final revision catches those glaring problems
that brand you as an amateur. Editors and first readers are trained to
spot these and have an easy excuse to reject a manuscript.
So, take the time to make it right. When you feel this urgency--as I am now--remember that this is the most important time to not rush.
Make your checklist and check it twice. Take a few extra days to go through the manuscript and make sure it sings.
Making a List, Checking It Twice
Years
ago, when I began publishing books, editors had a checklist they used
to help writers through final revision. Writers were expected to know
their topic and produce a decent manuscript. Editors made that
manuscript clean.
Then most editors exited the publishing
world. They took their checklists with them. Now writers have to
create their own (or hire a freelance editor to do this work for them).
Publishers are so busy watching the bottom line, there aren't
the same systems in place now. If you doubt this, think of the last
book you read and the number of typos in it.
Many new writers
believe this is their agent's job. In today's super competitive market,
agents don't bother with manuscripts unless they're clean. They don't
want to babysit a new writer, unless they have great interest in that
writer's book. Don't risk this.
Make your list, and when you get to final revision, check it twice.
What Needs Attention at Final Revision Jay Gilbertson is the author of a wonderful series of novels about Madeline Island (see www.jaygilbertson.com to check them out). He just had his book launch for the latest title, Full Moon over Madeline Island.
At a recent workshop, when I mentioned my Writer's Revision Checklist, Jay got very interested. After class, he wrote
me: "You mentioned that you have a checklist of things you look for
during your final draft. Might you consider sharing that? I looked
through your writing book and couldn't find such an animal and I think
it would be so helpful to make sure I have all the elements you teach
about dealt with in some fashion."
Once your book
structure is solid and you've done as much as you can (maybe working
step-by-step through the revision chapters in Your Book Starts Here),
this checklist can help you tie up lots of loose ends.
Some of these will be no-brainers. Others may be unusual.
Checklist #1--Continuity Check
This
first checklist requires lists of location, players, and objects. Make
the lists, then scan quickly through each chapter to check that item of
the list. Important: don't get sidetracked into other edits while
doing this, or you'll lose your place.
1. Verify physical
details about each major location: List the locations in your book and
check consistency on details such as number of rooms in a house,
placement of doors, and anything else that might have shifted
unexpectedly as you wrote.
2. List main characters' names
(including narrator) and write down their physical descriptions. Check
each chapter to make sure everything is consistent. (My elderly mother
once read a novel where the main character's name changed from Emily to
Amanda mid-story. Obviously the writer didn't do this step.)
3.
List major objects, such as cars, favorite possessions, and anything
else the reader will keep track of. Scan to make sure these are
consistent throughout. (I once inadvertantly changed a red Fiat to a
blue Honda halfway through my book--and luckily I caught it at
revision.)
4. Verify place names. Make sure these are spelled
correctly (if real places) and referred to consistently throughout the
book.
5. Check for unconscious repetition of similar scenes. My
last novel had five breakfast scenes, all with blueberry pancakes.
Easy to vary that, once I noticed it.
Checklist #2--Table of Contents against Chapter Titles, Subheads, Exercise Titles, and Page Numbers
1.
If you've titled your chapters, go through them and compare to the
table of contents--you'd be surprised how often these are not matching.
2. If you've used subheads (section titles) and these are listed in the table of contents, check them.
3.
In nonfiction books, authors use exercise boxes, titled sidebars, and
other pull-outs--verify these if listed in either a table of contents or
appendix.
4. Finally, make sure everything listed in the table of contents corresponds to its correct page number there.
Checklist #3--Beginning and Ending of Each Chapter and the Book as a Whole
1.
Read the last sentence or two of each chapter. Then read the beginning
sentence or two of the next chapter. Add an image or other repeating
note to link them. (This was taught to me by one of my instructors in
the MFA program--and it made my first novel a page turner, according to
many readers, after it was published. A very simple step but
essential.)
2. If the point of view (who is narrating) changes
between chapters, check the first paragraph of each new chapter to add
identifiers (so we can tell who is speaking).
3. Look at the
opening two pages and the final two pages. Do they echo each other in
some way--via similar image, location, who is present, topic? If
possible, strengthen this "echo."
Checklist #4--Sentence and Paragraph Lengths1.
Print each chapter and lay it out on a bed or the floor, so all the
pages line up and are visible. Squint at the pages until they become a
visual blur. Look for blocks of text without any white space. Then
look for blocks that are too similar in length, whether short or long.
Break all of these up more. They will feel visually monotonous to the
reader, even if they are full of action. (Thanks to novelist Alex
Chee for this tip.)
2. In key chapters (in all chapters, if you
have energy for it), do the same with your sentence lengths. Break them
up, vary them. Avoid sleepy rhythms.
Checklist #5--Final Spell and Grammar Check
1. Run spell check (and grammar check, if you use that) one final time after you've made all the above corrections.
2.
Read the manuscript aloud to yourself one last time, to catch anything
spell check and grammar check doesn't. Use a yellow highlighter to mark
places that still sound awkward.
3. Check the homonyms that often get misused: they're, their, and there; your and you're; to, too, and two. If you're not sure which is correct, get help.
4.
Check all dialogue--make sure opening and closing quote marks are in
place. Make sure quote marks are outside the punctuation at the end of
sentences. (Correct: "wow," she said. Incorrect: "wow", she said.)
After
you fix everything you find, I recommend one more pass through the
checklists. I'm always surprised at how editing (even just one more
time!) can place the manuscript at ground zero again.
I hope these tips help!
Print
this blog for when you're happily at final revision, and add to the
checklists as you learn more. They will save you embarrassment and
hopefully keep you from rejection as you begin to submit and publish
your book.
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Gleaned several important items to check in your post here. Thanks for sharing!!
ReplyDeleteThanks for visiting!
ReplyDeleteI would have loved to have had this checklist last year when I editing my one manuscript for like the sixth or seventh time. My twin, who'd read the manscript umpteen times herself, finally noticed that my hero said Mother where he meant Mom and for him there was a huge difference between the two.
ReplyDeleteTalk about a close call.
A good catch, lucky you! Some writers don't have the second pair of eyes to check this stuff. Thanks for visiting!
ReplyDeleteI really enjoyed this post and hope that someday I will be able to utilize these checklists. I discovered your web site and blog today and I'm looking forward to learning more about the art of writing. Thank you Mary for shearing your experience and knowledge.
ReplyDeleteThanks for visiting! Stop back again . . .
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