Her first writing workshop with me was at The Loft Literary Center in Minneapolis, about six years ago. Since then, Amy has taken most of my online classes, which she says worked perfectly for a mom with small children.
Two trips to Africa, two added narrators, along with endless reading and interviewing for research, and she is now revising her manuscript in my retainer coaching program.
But the best news: recently Amy submitted an excerpt from her novel-in-progress to the prestigious Iowa Review's annual fiction contest. "The Soles of Her Feet" won first prize and was published in the winter issue. Below is my interview with Amy, talking about how she achieved this.
This is a big achievement, Amy. I know you work very hard at your writing. What have you learned along the way?
In addition to learning the many elements of craft and how they all work together under a solid structure, I have learned the importance of doing your research and setting short term goals, often with the accountability of a writing group. I have learned to trust my voice as a writer and, even more importantly, the voices of my characters. But the biggest factor in making my story progress to this point has been to just show up. Those days I'm experiencing frustration, discouragement, or writer's block, I go back to those two words that started this whole journey: Just try.
In addition to learning the many elements of craft and how they all work together under a solid structure, I have learned the importance of doing your research and setting short term goals, often with the accountability of a writing group. I have learned to trust my voice as a writer and, even more importantly, the voices of my characters. But the biggest factor in making my story progress to this point has been to just show up. Those days I'm experiencing frustration, discouragement, or writer's block, I go back to those two words that started this whole journey: Just try.
Why did you decide to submit part of the novel for publication as a short story?
A big takeaway from an AWP conference I attended in Minneapolis was
the advantage of publishing smaller excerpts of your work in literary
journals. Intimidating to someone with nothing literary to list on her
resume!
I had that goal hovering in the back of my mind for a year, but with three young children and a tight, frequently interrupted block of time for writing, it was a challenge to pull together a piece and submit it without compromising time spent on my book.
I had that goal hovering in the back of my mind for a year, but with three young children and a tight, frequently interrupted block of time for writing, it was a challenge to pull together a piece and submit it without compromising time spent on my book.
All changed last January when our dog, who warrants a novel of his own (think three bowel obstruction surgeries after swallowing soccer socks and a swimsuit), jumped our electric fence. I made it about three steps out our back door before slipping on the ice. Short story, I totaled my knee. I couldn't drive for eight weeks, so I turned that time of stillness into a makeshift writing retreat, working primarily on my book but also taking time to submit to The Iowa Review awards.
How did you choose this particular section?
This section of the novel really marks the beginning of my Zambian character Lila's story, even though it doesn't appear until much later in the book. For this reason, I didn't have as much backstory to add or weed out in order to make the characters and plot work. I felt it stood alone as its own story and had a clear story arc.
I also have a soft spot for the Promise Woman's story, another character in my book, and how someone so trapped and damaged can lead someone else to freedom yet is unable to manage it for herself.
There is also the word count to consider when submitting to a journal or contest. In this case, a 25 page limit. "The Soles of Her Feet" is comprised of three chapters of the book, which kind of made its own three-act story.
Did you have to rework it to become a story in itself?
I actually didn't need to do a whole lot of reworking to make this
into a short story. Mostly trimming to get the length down, which taught
me a lot about revising on a bigger scale: if it's not adding to a
short story, it's likely not going to add to a novel.
I had a few of my writing partners at the time, along with you,
read the chapters before they were turned into a short story. So I think
much of my structural editing was done at that stage.
Tell us about the submission process-how many places did you query and how long did it take before you got a yes from Iowa Review?
I got very lucky. This was the first short story I submitted to a journal, which happened to be a contest. I simultaneously submitted the same story to another journal's contest shortly thereafter, which I notified as soon as I received word that I won The Iowa Review's fiction award. I submitted at the end of January and was over the moon when they emailed to say I was one of fourteen finalists in April. I received word a few weeks later that I won first prize.
Why did you choose Iowa Review? What did you research about them before submitting?
They are known as one of the top literary journals, and I knew I
was shooting really high by submitting to them. I have continued to be
so impressed by the quality of writers they publish, and I am thrilled
to now be published among them.
In addition to their high literary reputation and the amazing editorial staff who held my hand throughout this process, I love their commitment to publishing The University of Iowa Human Rights Index on their blog three times per year, which brings light to various injustices found around the globe. In their words, "to suggest the global political and socioeconomic context within which we read and write." The HRI currently features armed children in conflict. Social justice is something I am passionate about in my writing, along with the power of literature to make these issues personal and relevant, so to be published in a journal which maintains the same ideals as I has made for very rewarding fit.
In addition to their high literary reputation and the amazing editorial staff who held my hand throughout this process, I love their commitment to publishing The University of Iowa Human Rights Index on their blog three times per year, which brings light to various injustices found around the globe. In their words, "to suggest the global political and socioeconomic context within which we read and write." The HRI currently features armed children in conflict. Social justice is something I am passionate about in my writing, along with the power of literature to make these issues personal and relevant, so to be published in a journal which maintains the same ideals as I has made for very rewarding fit.
And then there's the great Kelly Link, the 2016 Pulitzer finalist in fiction for her short story collection Get in Trouble, who judged the award contest. To have had someone as brilliantly gifted, insanely imaginative and accomplished as Kelly merely read my story was a big enough honor, let alone to receive her kind feedback. I am grateful beyond measure.
Anything else you want to share with book writers who might want to submit excerpts?
I would first encourage them to become familiar with the journal to which they are submitting. Read an issue and see if that's a place they could see their work fitting in. Then I would encourage them to take that next step and just try.
Also, it's important to turn in your best work, taking the time to revise and edit well.
To check out Amy's story, visit one of the bookstores that carries The Iowa Review or order an issue (Winter 2016) or subscribe.
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