Friday, April 21, 2017

How NOT to Give Up When You Get Feedback on Your Manuscript

A good friend recently attended a top-level writing conference, one where you have to be approved to enter.  She was accepted and went with her manuscript in hand.  She got some expert feedback from one of the published writers who taught there.  She came home excited, shared the news with me.  "He liked so much of it, and he had some great comments for next steps," she said.  Her voice was full of enthusiasm and energy to tackle the changes.

Friday, March 31, 2017

The Hunt for an Agent: Pitch Conferences, Research, and Other Fun Tools

Spring is the time of new birth, and that includes book manuscripts.  Writers have been working hard all winter and want to bring their babies into the world.  Perhaps even launch the process of looking for an agent. 

Many of my clients and students are trying pitch conferences this spring:  a place to meet agents face to face, and even get feedback on manuscripts.  Two of the prime pitch conferences in the U.S. are hosted by Grub Street writing school in Boston and The Loft Literary Center in Minneapolis. 

Friday, March 24, 2017

Finding an Agent: One Writer's Experience

I first learned about Jay Gilbertson's wonderful series of novels when he attended several of my writing retreats on Madeline Island.  Jay has a special relationship with Madeline, an island off the northern coast of Wisconsin in Lake Superior.  Madeline Island is the home of the Madeline Island School of the Arts, where I teach each summer and fall, but it's also the setting for his Moon over Madeline Island series.

I wanted to interview Jay about his process of finding an agent and getting his first (and highly successful) novel published.  How did he do it?

Friday, March 17, 2017

If You're Not Writing about Social Justice Issues, Will You Get Published Today?



My interview with writer Amy Hanson generated a flurry of response--and some thought-provoking questions.  Amy's story is magnificent, so please scroll down to read it, if you weren't able to.  She's a very hard-working writer who received a well-earned award and publication for part of her book.

A few blog reader, who enjoyed the article very much, also expressed concerns about the challenge of being published today.  I sifted out the best questions from the emails I got last week.  They were:

Friday, March 10, 2017

What Is--and What Isn't--Your Business When You're Making Your Art: Words of Wisdom from Martha Graham

One of my all-time favorite sources of inspiration is this week's quote from dancer and choreographer Martha Graham, writing to her protegee, Agnes DeMille. 

It's been in my journals, posted on my walls above my writing desk, and shared with friends for many years. 

During a slump this week, where I wondered why I was writing my book (I'm sure many of you can relate!), I happened upon the quote again. It inspired a freewrite about what is, and what isn't, my business when I'm making my art. 

Friday, March 3, 2017

Submitting Excerpts from Your Book to Small Publications--A Success Story

Amy Hanson started writing her novel, a braided narrative about a woman in Zambia and a woman in Seattle, when her third child was a year and a half. Not the ideal time to take on a book project, as she says.  She'd always enjoyed writing, although music had been her focus, but she'd gotten letters from people who had read small things she'd written, asking if she'd ever thought about writing a book.  An idea for a novel was in her head, and so she decided to just try. 

Friday, February 24, 2017

Staying Organized While You Write--and Finish--Your Book


No matter where you are in the book-writing journey, at some point the sheer volume of material begins to overwhelm and it's time to look carefully at how to organize yourself.

A private client recently wrote me about this.  She's been trying to locate some "islands" (snippets of writing, or scenes) that she'd written a while back, but she couldn't remember how she'd titled them.  They were virtually lost in the mass of material on her computer.

Friday, February 17, 2017

Scene versus Summary--Which to Use for What Effect

I like picking up what I call "airport reads," just to see what's up in commercial fiction.  Airport reads are those books that airport bookstalls buy, thinking they'll take travelers' minds off flying.  It's a big coup to get your book in an airport bookstall, and over the years, I've seen more serious fiction arrive on those shelves.


Recently, I got a copy of JoJo Moyes' new book, After You.  Her novel, Me before You, a story of a woman caretaker for a paraplegic who helps him with assisted suicide, was made into a movie, and I enjoyed it a lot--good characters, tense situation.  Moyes is a master wordsmith, expertly pacing her stories.  After You is the sequel, as you may have imagined, and it also starts with a bang--the main character falls off a roof and has to return home to her parents while she heals.

Friday, February 10, 2017

False Agreements and How They Drive Characters in Your Fiction or Memoir


What I call the "inner story" in fiction or memoir just refers to the transformation of a character or narrator through a series of outer events.  It's pretty simple, but its success depends on something called "false agreements."  Without this transformation, and the false agreements that propel it, a story is just a list of crises.   Readers want to witness growth.
Transformation doesn't just occur, right?  It usually happens from a series of events that create change.  To make each change real for the reader, we have to consider where the character's journey starts.  Usually, there is something they don't fully understand.  Something they are challenged by.

Friday, February 3, 2017

Andre Dubus on Writing Memoir--A Podcast from Brevity


I admire Andre Dubus's writing, both his fiction (House of Sand and Fog) and his memoir (Townie).  This week, as I return from teaching in Tucson, instead of a lengthy post, I'm going to keep it short--and share an excellent podcast with Dubus, shared by one of the writers at my retreat.

Although the podcast is specifically about memoir, and whether a writer must live a dramatic life in order to write it, his comments can be helpful to writers from all genres.

Here's the link to Brevity magazine, which published the podcast. 
Enjoy!