How
can "event writers" develop stationary moments in their narrative and
sections in their books where the main characters reflect on the meaning
of what happens? What's the purpose of this, and what's is benefit to
the story?
This is a question about pacing, but it also hints at our natural preferences as writers, to write certain kinds of scenes.
This is a question about pacing, but it also hints at our natural preferences as writers, to write certain kinds of scenes.
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