Honesty
in writing is much-heard advice. You need to be authentic on the page,
because readers can spot a fake a mile away. But then, what's the
balance with knowing your reader, and knowing how to talk with that
reader? This writer asks a good question.
Friday, August 7, 2015
When You Tell Your Truth and No One Wants to Hear It: How Honest Can You Be in Your Writing?
A
writer from New York emailed me: "I'm learning how to create from who I
am, show up and connect to readers," she said. "I get stuck because
I'm not good at the connection part. The mistake that I often make is
that people say be honest and authentic - tell me what you are thinking and feeling and I do and they don't connect with my reality. I show up and people don't understand and I get stuck."
Friday, July 24, 2015
Three "Lures" to Attract Stronger Theme in Your Fiction and Memoir
Tomorrow
I will be at one of my favorite writing havens--the Loft Literary
Center in Minneapolis--teaching a room full of writers about theme. How
it emerges from your work, almost without you knowing. How it connects
to authentic voice.
Especially: How theme revealed by certain elements in your story.
I thought it would be fun to give a tiny taste of those elements, in case you live far from the Twin Cities (or even the U.S.) and won't be joining us.
Especially: How theme revealed by certain elements in your story.
I thought it would be fun to give a tiny taste of those elements, in case you live far from the Twin Cities (or even the U.S.) and won't be joining us.
Friday, July 17, 2015
Satisfaction versus Hunger: Two Pivots in Our Stories and How to Toggle Between Them to Keep the Writing Fresh
Good
discussion this week in one of my online writing classes: Bored with
her story, a writer asked: "How do I keep my own interest in my book?
Without reinventing the plot every five minutes? How can I keep my
writing fresh for me, first?"
Smart woman. She knew that her own boredom with her chapters would soon translate into boring writing. Right now, it might just be an overactive Inner Critic. Soon, her blahs would indeed translate to the page.
We toggle between two pivots as we write a book. When things are clicking along, the writing going well, it's easy to fall into complacency. A kind of satisfaction or contentment. Like in life, too much of that becomes boredom.
Smart woman. She knew that her own boredom with her chapters would soon translate into boring writing. Right now, it might just be an overactive Inner Critic. Soon, her blahs would indeed translate to the page.
We toggle between two pivots as we write a book. When things are clicking along, the writing going well, it's easy to fall into complacency. A kind of satisfaction or contentment. Like in life, too much of that becomes boredom.
Friday, July 10, 2015
It's All about Showing Up with Your Real Self: What Keeps Us Away from Our Authentic Creativity?
One of my favorite books to shake myself out of creative slumps is a thin little volume called Creative Authenticity. Author
Ian Roberts covers a vast landscape in just 175 pages: essays on the
search for beauty, craft and voice, the dance of avoidance, methods for
working. I especially like his tips on when to recognize that moment
when you're ready to "show"--to put your work out into the world.
Roberts's passion: the nature of authenticity in art. How do we find and develop our real voice? What happens when we shy away from our emerging authenticity? Why are we so afraid of this authenticity?
I recently took a voice lesson from a master teacher. I wanted to give my spouse a birthday gift of a lesson but I decided to take one too. I speak for a living, I sing for pleasure, and I'm curious about my voice and what it reveals about me.
Roberts's passion: the nature of authenticity in art. How do we find and develop our real voice? What happens when we shy away from our emerging authenticity? Why are we so afraid of this authenticity?
I recently took a voice lesson from a master teacher. I wanted to give my spouse a birthday gift of a lesson but I decided to take one too. I speak for a living, I sing for pleasure, and I'm curious about my voice and what it reveals about me.
Friday, July 3, 2015
Weeding through the Mass and the Mess: Making Sense of Your First Draft
A
reader from New York has been working hard on her first draft of a
novel for over a year. First drafts aren't easy. Initially they
require sitting down and writing a lot. Not necessarily from chapter 1
to The End, but a lot of scenes need to accumulate. This is
the benefit of writing classes, writing marathons, and writing
practice. This is why Nanowrimo (National Novel Writer's Month) is so popular. You can accumulate pages toward this first draft.
Friday, June 19, 2015
Organizing: How to Handle, Sort, File, and Save All the Bits and Pieces of a Book
Once
you begin a book, you begin to live in overwhelm. I'm talking about
the sheer volume of documents--whether printed pages or virtual
files--that a book generates as it grows and gets revised.
I think longingly of the past. My short stories, essays, columns, poems were easily gathered in file folders. Even multiple revisions or printed pages from feedback could be compiled into easy revision lists. I spent a year working on new stories and all 45 of them (still in process) are in one woven shelf basket in my writing room.
A book is another animal altogether.
How do you handle, sort, file, and save all the necessary bits and pieces of a book, including your ideas, your research, your images, and your drafts?
I think longingly of the past. My short stories, essays, columns, poems were easily gathered in file folders. Even multiple revisions or printed pages from feedback could be compiled into easy revision lists. I spent a year working on new stories and all 45 of them (still in process) are in one woven shelf basket in my writing room.
A book is another animal altogether.
How do you handle, sort, file, and save all the necessary bits and pieces of a book, including your ideas, your research, your images, and your drafts?
Friday, June 12, 2015
Long Time and Short Time in Fiction and Memoir
A
big challenge for most new book writers is figuring out time. Not the
time to write, but the time as it's portrayed in their book. How much
time passes in your story? Do you move back and forth in time? Do you
start far into the story then flash back to the beginning?
Working
with a storyboard (see the article below) helps you immediately see
your time choices. If you are moving in linear time, or straight
chronology, through your story, each event will happen in sequence.
Today will be followed by tonight which will precede tomorrow. This is
the easiest timeline to work with. Tuesday, June 2, 2015
Micro-Revision--Working from Small Issues to Bigger Issues to Solve Your Book's Problems
A few years ago, I was lucky enough to study with a well-known
novelist online. She offered a workshopping class that focused on
micro-revision.
As an editor, I knew about micro-revision, but it had always come
last in my editing process. Solve the big issues first, I was trained.
Deal with the structure problems, then the language fine-tuning will
come naturally.
This writer used a different method, and since I'm always
interested in learning new methods, I was intrigued. I gave her eight
weeks of my writing life and awakened my creative brain to
micro-revision.
Thursday, May 21, 2015
Why Accountability Is Essential for Book Writers--If You Ever Want to Finish Your Book!
A
friend once said: "Books are marriages. Sometimes I miss the
one-night stands." Ever feel that way? Writing a book delivers a huge
payoff, but it's a lot more work to keep the relationship going.
Books take an emotional and psychological toll. I love this quote from writer Red Smith: "All you do is sit down at a typewriter and open a vein."
Sometimes, showing up at the page requires intense vulnerability, even courage. But first-time book writers think it's just about the writing. If you learn how to craft good sentences, you're home free. That's only half of the process. Like any long-term relationship, it's also about your accountability.
Books take an emotional and psychological toll. I love this quote from writer Red Smith: "All you do is sit down at a typewriter and open a vein."
Sometimes, showing up at the page requires intense vulnerability, even courage. But first-time book writers think it's just about the writing. If you learn how to craft good sentences, you're home free. That's only half of the process. Like any long-term relationship, it's also about your accountability.
Friday, May 15, 2015
Can You Boost Your Brain Power--and Your Health--by Writing Every Day? (Yes!)
Last fall, the Harvard Business Review ran an article
about the new use of story in business presentations. Rather than
Death by PowerPoint, the writer showed solid proof that stories work a
LOT better to "capture people’s hearts--by first attracting their
brains."
When we engage with narrative, the studies showed, various physical functions, such as oxytoxin synthesis, improve.
When we engage with narrative, the studies showed, various physical functions, such as oxytoxin synthesis, improve.
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