One spring I took a month-long writing retreat. I went to a beautiful lake at the edge of the mountains and stayed by myself in a comfortable cabin. I was excited about all this time I had to write. I brought a pile of “stuck” writing to work on—I had a novel in a final draft, ready for revision.
On warm days I set my writing desk on the cabin’s wrap-around porch. From there, I had a great view of the lake, the blue sky. Birds skimmed the small garden, looking for bugs. Cedars swayed in the wind off the mountains.
Saturday, August 14, 2010
Monday, August 9, 2010
Revision--How Do You See Your Own Writing from a Different Viewpoint?
Writers who lock onto one picture of their books, holding it fast, being unwilling to adjust as they receive new insights, rarely publish. Their books stay limited in the limited vision of early drafts.
Revising happens. It must, before publishing. So "re-visioning" requires looking anew, looking deeper, with a different viewpoint. The reader's viewpoint. What will the reader make of the words you've chosen, the images you're painting?
Revising happens. It must, before publishing. So "re-visioning" requires looking anew, looking deeper, with a different viewpoint. The reader's viewpoint. What will the reader make of the words you've chosen, the images you're painting?
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