We began our first lesson with a brainstorming session about big fights and little fights. I wrote the word fighting on the whiteboard and asked the group of thirteen writers to call out different ways fighting can appear in life--and in stories. We came up with dozens of ways. Everything from jihads and riots to hate mail and stony silences. We also explored the subtler kinds of fighting that happen inside a character or narrator in a story--or even a reader trying out a new idea by reading a nonfiction book. What does a person have to give up to grow? And how does this internal resistance to surrender cause conflict in their outer lives?
Friday, September 25, 2015
Big Fights and Little Fights--How Conflict Drives Your Story's Success
This
week I am teaching about fighting--at a serene writer's retreat on
beautiful Madeline Island in Lake Superior. An odd topic for a retreat,
maybe, but conflict seems to always be in the driver's seat in
successful books.
We began our first lesson with a brainstorming session about big fights and little fights. I wrote the word fighting on the whiteboard and asked the group of thirteen writers to call out different ways fighting can appear in life--and in stories. We came up with dozens of ways. Everything from jihads and riots to hate mail and stony silences. We also explored the subtler kinds of fighting that happen inside a character or narrator in a story--or even a reader trying out a new idea by reading a nonfiction book. What does a person have to give up to grow? And how does this internal resistance to surrender cause conflict in their outer lives?
We began our first lesson with a brainstorming session about big fights and little fights. I wrote the word fighting on the whiteboard and asked the group of thirteen writers to call out different ways fighting can appear in life--and in stories. We came up with dozens of ways. Everything from jihads and riots to hate mail and stony silences. We also explored the subtler kinds of fighting that happen inside a character or narrator in a story--or even a reader trying out a new idea by reading a nonfiction book. What does a person have to give up to grow? And how does this internal resistance to surrender cause conflict in their outer lives?
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