Forest and Trees--Balancing the Long View and Short View as a Book Writer

When you’re writing a book, you have to simultaneously hover over the forest, while you're noticing the tiny leaves of each tree.  Being in two places at once, you must keep in mind your overall book’s focus and structure, how you want it to come together--at the same time as you work on a tiny detail of one scene or chapter.

It’s often hard to balance these two viewpoints well.  Most new book writers

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Hands-on storyboarding workshop--get feedback on your book idea

Weekend book workshop, August 6-7, Manchester, NH.  For more information click here.

Reading from the End--An Effective Way to Troubleshoot Your Writing

A student in my current online class had written a wonderful chapter for her book.  It was working almost perfectly:  the tension was high, the characters were strong, I could see the setting and it enhanced the emotion of the moment very effectively.  But there was something not quite there.

The writing needed some help, and at first I

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A Way to Study Outer and Inner Story in Your Favorite Books

Weaving the pathway of outer and inner story (what happens and what's the meaning of it) through a book requires knowing the different effect of each on the reader.  The best way to train yourself is to study outer and inner story in published books.

If you study books in different genres, you discover that each kind of book leans toward a different ratio of outer to inner story.  You can learn a lot about how to balance the two in your particular book.

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Balancing Outer and Inner Story in Your Book

Outer story is the foundation for all good books. Outer story grounds the reader in your material, whether you are writing about people, politics, or potatoes. It creates structure, a logical sequence of information or events, a believable time and place. It lets the story track for a reader like a

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Gardening and Writing--Filling the Well by Following the Love

Last night, just as the moon was coming up (almost full!), I was out in the garden planting lettuce seedlings.

I started them from seed indoors in February:  three kinds of leaf lettuce--romaine, Tango, a French summer crisp.  I also started raddiccio seedlings, arugula, and spinach.  Today I will add

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Using the Storyboard W to Structure a Self-Help Book

One of my readers from New York asked if the storyboard W, which gives an easy way to enhance momentum in your story, could be used for nonfiction as well as fiction and memoir.  Specifically, could it be used for a self-help book?

I've written and published many self-help books, as well as how-to books, so I could easily answer

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How Are You Spending Your Summer? The Value of Writer's Retreats

Like many creative artists who have jobs and families that demand attention, I sometimes dream of everything being quiet.  Of finally having time and privacy to get deep into my writing--without phone calls or texts or emails; with nobody to think about but my characters and the words they give me for the page.

Especially as we're coming out of a long hard winter here in New England, with the weariness that brings, I find myself dreaming of

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Five Fundamental Practices That Keep You Away from Writer's Block While You're Writing a Book

It isn’t talent that makes an artist succeed. Talented people fail all the time. Success comes from belief in yourself, persistence with your craft, and a good routine—setting aside regular, sacred time to make art. To dedicate time, you must believe in your worth.

As the painter and author Frederick Franck wrote, “You shall not wait for

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Letting Myself Exhale--Celebrating the "Empty Nest" of a New Book

I've just finished a book.  No, I mean, really finished it.  The last change is proofed, the last word typeset.  It's on amazon.com.  It's being ordered by bookstores.  It's published.

It's completely out of my hands.

That's a relief, and it's also a worry.  No longer is

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