Weeding through the Mass and the Mess: Making Sense of Your First Draft

A reader from New York has been working hard on her first draft of a novel for over a year.  First drafts aren't easy.  Initially they require sitting down and writing a lot.  Not necessarily from chapter 1 to The End, but a lot of scenes need to accumulate.  This is the benefit of writing classes, writing marathons, and writing practice.  This is why Nanowrimo (National Novel Writer's Month) is so popular.  You can accumulate pages toward this first draft.

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Organizing: How to Handle, Sort, File, and Save All the Bits and Pieces of a Book

Once you begin a book, you begin to live in overwhelm.  I'm talking about the sheer volume of documents--whether printed pages or virtual files--that a book generates as it grows and gets revised.

I think longingly of the past.  My short stories, essays, columns, poems were easily gathered in file folders.  Even multiple revisions or printed pages from feedback could be compiled into easy revision lists.  I spent a year working on new stories and all 45 of them (still in process) are in one woven shelf basket in my writing room.

A book is another animal altogether.

How do you handle, sort, file, and save all the necessary bits and pieces of a book, including your ideas, your research, your images, and your drafts?

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Long Time and Short Time in Fiction and Memoir

A big challenge for most new book writers is figuring out time.  Not the time to write, but the time as it's portrayed in their book.  How much time passes in your story?  Do you move back and forth in time?  Do you start far into the story then flash back to the beginning?

Working with a storyboard (see the article below) helps you immediately see your time choices.  If you are moving in linear time, or straight chronology, through your story, each event will happen in sequence.  Today will be followed by tonight which will precede tomorrow.  This is the easiest timeline to work with. 

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Micro-Revision--Working from Small Issues to Bigger Issues to Solve Your Book's Problems

A few years ago, I was lucky enough to study with a well-known novelist online.  She offered a workshopping class that focused on micro-revision. 

As an editor, I knew about micro-revision, but it had always come last in my editing process.  Solve the big issues first, I was trained.  Deal with the structure problems, then the language fine-tuning will come naturally.

This writer used a different method, and since I'm always interested in learning new methods, I was intrigued.  I gave her eight weeks of my writing life and awakened my creative brain to micro-revision.

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Why Accountability Is Essential for Book Writers--If You Ever Want to Finish Your Book!

A friend once said:  "Books are marriages.  Sometimes I miss the one-night stands."  Ever feel that way?  Writing a book delivers a huge payoff, but it's a lot more work to keep the relationship going.

Books take an emotional and psychological toll.  I love this quote from writer Red Smith:   "All you do is sit down at a typewriter and open a vein."  

Sometimes, showing up at the page requires intense vulnerability, even courage.  But first-time book writers think it's just about the writing.  If you learn how to craft good sentences, you're home free.  That's only half of the process.  Like any long-term relationship, it's also about your accountability. 

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Can You Boost Your Brain Power--and Your Health--by Writing Every Day? (Yes!)

Last fall, the Harvard Business Review ran an article about the new use of story in business presentations.  Rather than Death by PowerPoint, the writer showed solid proof that stories work a LOT better to "capture people’s hearts--by first attracting their brains." 

When we engage with narrative, the studies showed, various physical functions, such as oxytoxin synthesis, improve. 

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You've Gotta Choose! Five Tips to Prevent Distractions from Becoming Derailments in Your Writing Life

A friend told me a great story about a long-distance swimmer.  In one of his swims, this athlete ran into a school of jellyfish.  He'd bat them away, then another would smack him in the face.  It slowed him down, and for a while he considered stopping the swim.  But other than a few small stings, the jellyfish were just a distraction.  He switched his attention back to his swim and finished it. 

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How to Keep Your Memoir from Being Just a Selfie

A writing colleague sent me this recent article from the Washington Post--a humorous look at how memoir has evolved.  One new direction is the selfie.  Look at me, in other words. 

Selfies can be quite entertaining.  If the selfie shows a unique angle on someone's life, and we want to learn more about that someone, it's worth the time.  The Post writer, Mark Athitakis,  breaks down his short list into categories of selfie-memoirs, such as "I'm Famous," "I'm Running for President," and "I Used to Be Dead but for Some Reason I'm Not Anymore."  You can imagine others:  "I Had a Screwed-Up Family but I Turned Out OK" or "I Survived Something Very Intense."

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Book Titles--How Important Are They? How Do You Get a Great One?

Imagine finishing your book manuscript and sending it out to agents and then publishers--and getting a big YES!  You've sold your book.  Time to celebrate.  Then the reality of production begins. 

All those changes suggested by editors.  Gearing up your promotion.  The marketing department wanting to change your book title.

What?!

Yep.  Pretty common.  I've had three book titles get changed by marketing departments or editors after the contract was signed.  It's always done with good reasons and in the end, I've been glad (my early titles were awful).  But it's a bit disconcerting.  Especially after I'd published five books--my trusty agent had sold my sixth manuscript to a mid-sized publisher . . .  whose first request was to change the title. 

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Rest Breaks for Book Writers--When Are They Procrastination and When Are They Required?

This week I'm taking a rest break from my book.  I'm still thinking about it, still mulling over its many problems, but I have recognized some important signs of burn-out that I need to attend to.  I've begun pushing rather than listening.  I have a more-than-usually-overactive Inner Critic.  And occasionally, a feeling of the blues about my work will creep in. 

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