Weaving Storyboards--Which Is Your Dominant Story?

Natalya was in one of my storyboarding classes at Grub Street writing school in Boston a year and a half ago.  She also describes herself as "an avid reader" this blog.  She sent me a very good question about weaving together three storyboards for her current novel.

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When Your Fiction Is Really about You (Even a Little), Do You Need to Protect Yourself?

One of my private coaching clients successfully finished her revision last year.  Her next step was to find close ("beta") readers for the manuscript so she could get feedback on anything else that needed tweaking.

The novel, her first, is loosely based on her own true story.  She chose her sister, two close friends (one of whom was a writer) and her daughter (also a writer).  They read, they commented, but they mostly had concerns about the autobiographical nature of the story. 

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How to Succeed at Your New Year's Writing Resolutions--Two Ideas That Actually Work

I like playing with resolutions but I don't have much faith that I'll stick with them.  I usually get a "glory ride" on the new year's enthusiasm for about 30 days.  Then life takes over and crashes my makeover plans.  So I've adopted a different approach, and it seems to work pretty well. 

This week, to welcome in the new year, I wanted to share two ideas I borrowed from other writers.  

They are working quite well to keep my goals moving forward.  Maybe one or both will work for you! 

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The Myth of Going It Alone--Why Book Writers Need Community

My fall online classes are ending this week, and the groups are loathe to leave each other.  They've bonded terrifically this semester, which often happens in these classes.  Somehow, online learning can foster a kind of intimacy among writers that I don't always find in in-person classes. 

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Scrivener--My Favorite Software for Organizing a Book

Before I wrote books, I wrote stories, essays, poems, columns, and articles.  Short stuff.  Short stuff doesn't require that much organization.  I had a good word -processing software.  I kept files of the multiple versions of my short stories, for example.  I used a spreadsheet to track where I sent writing and what happened to it.

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Pitch Conferences: How to Meet and Greet with Agents

Many of my students and clients are signing up for spring pitch conferences, where they hope to pitch their book to a few agents.  These "meet and greet" events are currently one of the best ways to get face-to-face with agents, hear them talk about their lists (the books they represent) and preferences, and learn about the publishing industry today.

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Gratitude Game--Celebrate What's Working in Your Writing Life

These past few weeks, I've experienced an unusual stall-out in my writing.  I couldn't locate any still point inside, or that "necessary boredom" that writer Dorothy Allison says is a prerequisite to writing well.  It was as if my creative heart was too sore to create. 

I knew that writing could actually be the way to come back to myself, get away from the incessant barrage of crises.  But I was hard pressed to find the way in.

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Tips for Making Your Characters Vivid Individuals on the Page

A MG (middle-grade fiction) writer in one of my online classes posted a great question this week:  How do I make my characters more distinctly individual?  Different from each other, enough to be vivid individuals on the page?

Developed characters, fictional or real, should be distinct from others in the story.  If they all blur together, it's hard to make them come alive for the reader.  Developed characters have backstory, a history that informs their story decisions.  They have certain quirks, a way of moving, a way of standing or using their hands. 

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One Step Forward, Two Steps Back--Getting Your Work Out in the World

It's been an up and down week.  I got news on Monday of a student whose short story was accepted by a very prestigious journal and who'd been nominated for an equally prestigious award.  I also heard from three clients whose books were accepted for publication this month.  Very sweet. 

I also got an email from a student, raw from having pages of his manuscript critiqued by two colleagues at the university where he works.  He was soldiering on but underneath his good questions--how seriously do I take these comments?--I could hear the discouragement.  "It's like that old Bruce Springsteen song," he said.  "One step forward, two steps back."

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Nonfiction Book Success--The Challenge of Telling Someone Else's True Story

One of my favorite kinds of emails come from past students in my book-structuring classes whose books are being published.  Three such emails came to my inbox this week, and I wanted to share the story behind one of them in this week's blog.

When I first met journalist Ed Orzechowski in one of my classes, his book project fascinated me.  It wasn't an easy task to write a true story about a patient at the infamous Belchertown institution.  But Ed persevered.  You'll Like It Here, the true story of Donald Vitkus, patient #3394, is being released this month from Levellers Press.  I asked Ed to share some of the process of building a book on someone else's true--and horrific--story. 

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