Why a Memoir Is Not an Autobiography

My elderly aunt finished her memoirs.  She mailed me a photocopy.  It was great fun to read--she's always been entertaining storyteller with interesting experiences and a great understanding of people.  She's 97 now and lives in an assisted living community where a fellow resident helped her write up her life stories.  She calls them her "memoirs," and indeed they are--an an act of remembering and a legacy for the family. 

Memoir comes from the Anglo-French word memoirie (from the fifteenth century),meaning "memory" or "note,"  an "account of someone's life."  A wonderful gift to pass on to those who know you and who want to hear your past.

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Finding and Hiring an Editor: Why They Help, What They Cost, and What to Look For

One of the best decisions I made for my recent books was hiring a professional editor--before I began submitting the manuscript for publication.  You might say:  Why bother?  The agent/publisher will make you change stuff anyway.  And don't publishers have editors? 

Yes, you'll have to change stuff--if you're lucky enough to get that far with an agent or publisher.  Yes, there are some publishers who still offer editorial help to their writers (small presses usually do, partner publishing does, a few big houses do if you're high on the list).  But it pays to invest in your own book in today's competitive world.  Make it the best it can be, before you try submitting it.

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Keeping Track of Time--Timeline Organizers for Your Book

One of my online students is working on a memoir that threads two storyboards (see more about storyboards here).  He wants to be able to plot life events in chronological order; although he is clear that the story may not include them all, it's helpful for him to have everything lined up so if an event needs a cursory mention, he knows where it falls. 

He needed a timeline organizer.

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How Do You Know When You're Done? Tips to Evaluate Whether Your Manuscript Is Really Ready

One of my private clients has been working on her memoir for quite a few years.  She's workshopped it through my online classes and with writing partners, and in our coaching sessions, we analyzed the structure and she made many great revisions.  She sent it to a few other writers for feedback and got ideas on what else needed tweaking. 

This week, she emailed me with the big question:  Are we there yet? 

How does a writer know when the book is cooked, ready to send out to agents?

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Selling Your Nonfiction Book on a Proposal Alone: An Interview with Katherine Ozment

It used to be common to sell nonfiction books via a book proposal--an expanded outline, a synopsis, marketing research for the topic, and sample chapters.  I sold five books this way, back in the nineties, got good advances, and published happily.  Many agents I speak with today are less keen on selling via proposal, unless the writer has an excellent track record and a market niche (audience) already established.  Occasionally, I do hear of a great success story from one of my former students.  This week, I wanted to share Katherine Ozment's story.  Hopefully, it'll inspire other nonfiction writers who are putting together their book proposals.

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Launching a Debut Novel: Working with Publicists and Promotion

It's been a month of book birth announcements.  Another student from my online classes and private coaching has just released her debut novel, Eden.  Jeanne McWilliams Blasberg has launched it with great panache too--with excellent reviews on Kirkus, Booklist, Redbook, the Boston Herald and other publications.  Writer Anita Shreve calls Eden "a masterfully interwoven family saga with indelible characters, unforgettable stories, and true pathos."  

I first met Jeannie at a storyboarding workshop I taught at Grub Street in Boston where she was working on a two-storyboard novel, exploring the financial ruin of a family's historic home in seaside Rhode Island and the backstory of the matriarch who decides to reveal a long-buried secret and introduce the child she gave up for adoption in her teens.  Weaving the two storyboards together was a challenge that Jeannie approached beautifully, and her excellent book is the result.  

Once it was finished, she looked over her options for publishing.  I interviewed her about her choices and what she eventually decided to do.  

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Saving Your Work--Ways to Keep Your Writing Safe Today

I spent much of yesterday at the Apple Store, which often starts out as fun but ends up being exhausting.   A friend's laptop had an accident:  salt water got into the hard drive, and the photo our tech took of it confirmed no recovery possible.  I had a laptop I no longer used so she took it in with her external drive and we crossed our fingers as the data migration took place.  So far, all is well.  But if she hadn't backed up her computer on that external drive, it would be a sad story.

Afterwards, in the car, we talked the various ways of saving work.  When she first got the bad news about her laptop, I read the panic on her face.  All her creative work, gone?  She hadn't ever had to recover data from an external drive (Time Machine in Apple lingo).  So she didn't actually trust that it would restore her files. 

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Finding the Right Home for Your Memoir: A Success Story

I first met Elisa Korenne in one of my online classes.  Elisa is a professional singer/songwriter with several CDs to her credit.  She was writing a very intriguing story--about moving from downtown Manhattan to the wilds of northern Minnesota, for love.

I followed her progress in subsequent classes and saw such a blossoming of the story.  It's a simple tale, yet unique:  the integration of cultures, the finding of oneself and home, all around her profession of music and storytelling.

Elisa's memoir, Hundred Miles to Nowhere:  An Unlikely Love Story, has just been released from North Star Press.  Click here to find out more.  I interviewed  Elisa to learn more about the process of finding the right home for her book. 

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Storyboarding Multiple Narrators--How to Make Sense of the Whole Story

I get this question a lot:  When a book has more than one storyline, timeline, or main narrator, how do you make sure each storyline works individually? 

And, once you have each individual storyline in place, how do you weave them together to make sense of the whole?

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If You're Writing a Novel, Do You Know Its Category? An Agent's Perspective

One of the writers in my advanced online class posted this article on our weekly classroom discussion.  She asked the provocative question:  what genre are you writing in? 

Fiction, I would've answered five years ago, because they were all fiction writers in this small group.  But her question went deeper than this:  what type of fiction are you writing and how will you present it to an agent or publisher?

Publishing has gotten quite complex at categorizing novels by certain qualities.  Is it award-capable?  Does it have a happy or mixed ending?  Is it a commercial or literary plot? 

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