Why Strong Dialogue Matters So Much--And Three Tips to Write It

Do you write dialogue?  Did you know that many acquisitions editors at publishing companies use dialogue as the "test" for whether a manuscript gets read?

In their book, Self-Editing for Fiction Writers, Renni Browne and Dave King tell the story of interviewing different editors in the publishing industry.  What do you look at first, when reviewing a manuscript? they wondered.  More than one revealed this:  Editors scan through the pages for a section of dialogue and read it.  If it's good, they read more.  If it's not good, the manuscript is automatically rejected.

Big pressure for writers!  Why do you think dialogue is such an indicator of a writer's skill?

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The Value of a Writing Community--To Help You Finish Your Book

Summer is teaching time for me.  I just returned from a week on Madeline Island, a blissful spot, made even more so by the twenty-three writers who attended this summer's retreat.  We formed a perfect community, I thought:  supportive, funny at times and serious at others, able to work hard and celebrate each others' growth.

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Making Time for Your Writing in the Dog Days of Summer

I've always loved August in New England, where I live.   The heat and sun and sultry air just make me want to go slower, take in more of the beauty of summer's final days.  We get winter all too soon here.  New Englanders know how to make the most of summer.

When I first moved here, I thought the slower pace in summer would be perfect for writing.  But laziness settles over me.  And the allure of a thousand fun summer activities.  I'm a passionate gardener and there's always plenty to do.  Who wants to spend daylight hours indoors?

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Writing a Satisfying Ending: Hints about How to Wrap Up Your Story

This week I'm traveling to one of my favorite places:  Madeline Island and the Madeline Island School of the Arts, where I teach each summer and fall.  I'm about to welcome a group of twenty-three writers who will be attending my workshop/retreat and my independent study week.  We'll be diving deep into our book projects for five days, free of interruptions.  Looking for breakthroughs.

One of the assignments I offer the group is to draft their final chapter.  Because the group is varied in writing experience and progress with their projects, this suggestion often gets astonished reactions.  "How can I possibly write my final chapter when I don't know what the rest of the book is about!?" 

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Instant Gratification: Dangers of Seeking It When Writing a Book

When we start writing a book, we have no clue how long it will take.  Most first-time book writers think maybe a year, two at the most?  A colleague was both relieved and dismayed to learn from a graduate-school panel of published writers that memoirs typically take seven years to write.  Rebecca Skloot, author of the best-seller, The Immortal Life of Henrietta Lacks, said her book took ten years and it couldn't have gone any faster--she needed all that time. 

But we're seduced by workshops and craft books that promise a completed manuscript, ready for agents, in nine months.  I recently saw a workshop that was called "Novel in a Month."  I participate in Nanowrimo regularly (National Novel Writers Month) and have even published a novel from that marathon, but it didn't come out finished--it needed a couple of years of revision before it was ready for other eyes. 

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Why a Memoir Is Not an Autobiography

My elderly aunt finished her memoirs.  She mailed me a photocopy.  It was great fun to read--she's always been entertaining storyteller with interesting experiences and a great understanding of people.  She's 97 now and lives in an assisted living community where a fellow resident helped her write up her life stories.  She calls them her "memoirs," and indeed they are--an an act of remembering and a legacy for the family. 

Memoir comes from the Anglo-French word memoirie (from the fifteenth century),meaning "memory" or "note,"  an "account of someone's life."  A wonderful gift to pass on to those who know you and who want to hear your past.

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Finding and Hiring an Editor: Why They Help, What They Cost, and What to Look For

One of the best decisions I made for my recent books was hiring a professional editor--before I began submitting the manuscript for publication.  You might say:  Why bother?  The agent/publisher will make you change stuff anyway.  And don't publishers have editors? 

Yes, you'll have to change stuff--if you're lucky enough to get that far with an agent or publisher.  Yes, there are some publishers who still offer editorial help to their writers (small presses usually do, partner publishing does, a few big houses do if you're high on the list).  But it pays to invest in your own book in today's competitive world.  Make it the best it can be, before you try submitting it.

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Keeping Track of Time--Timeline Organizers for Your Book

One of my online students is working on a memoir that threads two storyboards (see more about storyboards here).  He wants to be able to plot life events in chronological order; although he is clear that the story may not include them all, it's helpful for him to have everything lined up so if an event needs a cursory mention, he knows where it falls. 

He needed a timeline organizer.

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How Do You Know When You're Done? Tips to Evaluate Whether Your Manuscript Is Really Ready

One of my private clients has been working on her memoir for quite a few years.  She's workshopped it through my online classes and with writing partners, and in our coaching sessions, we analyzed the structure and she made many great revisions.  She sent it to a few other writers for feedback and got ideas on what else needed tweaking. 

This week, she emailed me with the big question:  Are we there yet? 

How does a writer know when the book is cooked, ready to send out to agents?

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Selling Your Nonfiction Book on a Proposal Alone: An Interview with Katherine Ozment

It used to be common to sell nonfiction books via a book proposal--an expanded outline, a synopsis, marketing research for the topic, and sample chapters.  I sold five books this way, back in the nineties, got good advances, and published happily.  Many agents I speak with today are less keen on selling via proposal, unless the writer has an excellent track record and a market niche (audience) already established.  Occasionally, I do hear of a great success story from one of my former students.  This week, I wanted to share Katherine Ozment's story.  Hopefully, it'll inspire other nonfiction writers who are putting together their book proposals.

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